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Sent from my Telephone

by VOICE ACTOR

/
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1.
15th 01:20
2.
Another Day 01:36
3.
Anytime 00:50
4.
Badman 01:38
5.
6.
7.
Better 2 02:06
8.
Black Matter 01:38
9.
Blip 01:27
10.
Boulevard 01:48
11.
12.
But 00:34
13.
14.
15.
Camden 05:45
16.
17.
Caretaker 02:02
18.
19.
Closer 00:43
20.
21.
22.
DD of DS 01:36
23.
Dima 03:32
24.
25.
Dummy 3 02:24
26.
Dummy 01:28
27.
Exposed 02:00
28.
29.
Feel Like 00:59
30.
31.
32.
For a Minute 00:45
33.
Fran 00:53
34.
35.
Fromm 02:57
36.
Fruitmachine 03:10
37.
Getting By 01:46
38.
39.
Greyout 01:57
40.
41.
Hide 03:12
42.
HNY2 02:14
43.
Huh 00:39
44.
Hurt with Me 02:42
45.
I Can Feel U 01:55
46.
47.
I Don't Care 00:36
48.
49.
IBU 00:51
50.
51.
52.
Jazz 01:20
53.
JLO 03:39
54.
Judgements 02:49
55.
Kaart 4 06:17
56.
Last Time 01:37
57.
Let U Go 03:42
58.
Living 00:49
59.
LO 00:18
60.
61.
Love 01:07
62.
63.
64.
Moving On 01:19
65.
Moving Sins 01:51
66.
67.
Nammes 02:40
68.
69.
No Window 05:33
70.
71.
ODDS 01:26
72.
73.
Office 02:34
74.
75.
Path 01:42
76.
77.
Plan 01:31
78.
PLEDGE 03:07
79.
Pocket 08:43
80.
Pretty Lies 02:49
81.
82.
Re-boot 03:59
83.
Real 01:42
84.
Resistance 02:40
85.
86.
87.
Searchboat 03:47
88.
89.
90.
SILENCE 02:01
91.
Slush 04:59
92.
Stairs 01:10
93.
Stand Tall 02:53
94.
95.
Tell U 01:47
96.
Terrified 01:19
97.
THE GREET 06:24
98.
99.
100.
101.
102.
103.
104.
Wait 02:28
105.
106.
Wide 01:07
107.
XXX 01:58
108.
Yo-Yo Na 04:11
109.
Zolder 03:02

about

"VOICE ACTOR's music frequently does appear to get bogged down in an obsessive intellectualism and to have difficulty working human emotion into musical form. VOICE ACTOR’s unsuccessful setting of “Badman ona Tandem” shows this difficulty plainly. The subject calls for deep emotional expression, but the musical structures self- consciously direct attention to their formal sophistication, rather than hooking up with the ideas of grief and mourning suggested by the songs.

At times, listeners of VOICE ACTOR will share the emotions built into the forward movement of the work (longing for happiness, dread of disaster); at times they will also react sympathetically toward those elements (with sympathy for cataclysmic disaster, with pleasure at the happy conclusion of longing). At the same time, listeners will have various related emotions toward their own lives and the possibilities they contain.

VOICE ACTOR’s image of music as a dream builds in the idea of compressed references to one’s own life prospects, and these may be pushed at multiple levels of specificity and generality, with the relevant emotions.

Sent from my telephone"

- Sourced from Martha C Nussbaum’s ‘Upheavals Of Thought’

credits

released October 5, 2022

Music by Noa Kurzweil & Levi Lanser
Additional music by Adam C Passarella (EGO DEATH),
Adriaan De Roover, Antony Lauret & Sophia Abderazzak (Law of Glances), Diane de Moor (Stilll), Elijah Evans (Yarrow. Co), Joseph Guerrero, Luca van Grinsven (Val Clipp), Stef Veldhuis & Agnes

Illustration by Luca van Grinsven

Thank you Bloeme

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